Wednesday, December 9, 2015

Intimate Acquaintance with Death: Funeral Practices in Colonial and Victorian America

by Marianne Ruane

As I am now so you shall be,
Prepare for Death & follow me.*1

Seventeenth century Americans were very familiar with death. One of ten children died in its first year of life, and in the cities where people were less healthy, such as Boston, three out of ten infants died within the first year. Of children born in the 1600s, only sixty percent reached adulthood. Puritans believed that even young children were blighted by original sin, and children were continually reminded that their ultimate destination was most likely Hell, sooner rather than later. Puritan minister Cotton Mather (of Salem witch trial fame) was recorded saying, “Go into Burying-Place, CHILDREN; you will there see Graves as short as your selves. Yea, you may be at Play one Hour; Dead, Dead the next.” Even Puritan schoolbooks reminded children of looming death, “Tis not likely that you will all live to grow up.” “T--Time cuts down all/Both great and small.”2


The Puritan belief in predestination – that a person’s fate was sealed before birth – didn’t leave much room for celebration. As Puritan influence was strong in the colonies, even outside of New England funerals were generally simple and quiet affairs without a eulogy. After the funeral itself, however, guests would eat and drink prodigiously, even children, at a lavish feast. The writer Nathaniel Hawthorne was so impressed with the enjoyable reunion New Englanders found in funerals that he wrote:

            They were the only class of scenes, so far as my investigation 
            has taught me, in which our ancestors were wont to steep 
            their tough old hearts in wine and strong drink and indulge in 
            an outbreak of grisly jollity… Look back through all the social 
            customs of New England in the first century of her existence 
            and read all her traits of character, and find one occasion other 
            than a funeral feast where jollity was sanctioned by universal 
            practice… Well, old friends! Pass on with your burden of 
            mortality and lay it in the tomb with jolly hearts. People should 
            be permitted to enjoy themselves in their own fashion; every 
            man to his taste— but New England must have been a dismal 
            abode for the man of pleasure when the only boon-companion 
            was Death.3

With the Great Awakening religious revival in the early 1700s, religious beliefs expanded to include the possibility of salvation. Children were now told to look forward to death as a reunion with God and their parents, and adults were assured that a life lived morally did make a difference. As a result, funeral services became more elaborate and costly, with the reception feast often the most expensive part. Accounts of 18th century Pennsylvania funerals are similar to those in other colonies.

            Evidence suggests large funeral attendance. Gottlieb 
            Mittelberger wrote, “Sometimes one can count at country 
            weddings and funerals 300, 400, and even 500 persons on 
            horseback.”[80] When Jacob Ehrenhardt was buried on 
            February 10, 1759 in the village of Emaus in Lehigh County, 
            an audience of 400 was in or near the church, many hanging 
            at the doors and windows.[81] On August 14, 1768 in York, 
            Pennsylvania, 600 people attended the funeral of Catherine 
            Heckedorn, wife of John Heckedorn.[82]

            Generally, funerals were held in the late afternoon or early 
            evening. The funeral party assembled at the home of the 
            deceased where they ate cake and a hot rum punch or 
            sweetened cider. In an air of suspicion Muhlenberg wrote that 
            friends and relatives came more for the rum and cake than for 
            their interest in the deceased.[84]4

To communicate that a death had occurred, individuals called “warners” or “inviters” would go door to door to inform neighbors and friends of the funeral arrangements. Invitations to the funeral would often include cookies called “dead cakes” and a handkerchief and gloves (or only one glove to cut costs) to be worn at the proceedings. Andrew Eliot, minister of Boston's North Church, saved the gloves that people sent to him. In 32 years he collected 3,000 pairs.5 A neighbor or relative who had nursed the deceased might be given a silver spoon or two, called “coffin spoons.” After the funeral, they were often hung on the post of a cradle for infants to teeth on.6 

In the 1700 and 1800s, mourning jewelry was popular, especially rings, symbolizing an eternal link to the deceased. In wealthy families, rings were given out to near relatives or important people in the community. These mourning rings were made of gold and usually enameled in black or black and white, decorated with a death’s head, a skeleton lying in a coffin, or a winged skull. Some rings held a framed lock of hair from the deceased and others were shaped like a serpent with its tail in its mouth. Popular inscriptions on the rings were “Death parts United Hearts,” “Death conquers all,” “Prepare for Death,” or “Prepared be To follow me.” Some rings bore the family crest. By the early 18th century, providing so many gifts to the mourners became prohibitively expensive – so much so that the Massachusetts colony passed legislation against it.

Anthropologists believe that Paleolithic humans ate the flesh of their deceased as a way of honoring them by keeping a bit of their essence after they passed on. During the Middle Ages in Germany, a more symbolic integration took place. “After the body had been washed and in its coffin, the woman of the house prepared leavened dough and placed it to rise on the linen-covered chest of the corpse. It was believed the dough “absorbed” some of the deceased's personal qualities that were, in turn, passed on to mourners who ate the corpse cakes.”7

By the late 18th century, little cakes or funeral “cookies” were handed out.

            The common people in the Colonies tended toward dense 
            shortbread funeral biscuits flavored with molasses, ginger or 
            caraway. Resembling modern-day cookies in size and shape, 
            these were often formed in hand-carved wooden stamping 
            molds that embossed a cross, heart, death's head or cherub 
            on their tops.

            Diaries from Hudson Valley Dutch communities include recipes 
            for doot coekjes or "death cookies" that were "large as saucers" 
            and designed to be eaten with hot spiced wine. One recipe called 
            for 50 pounds of flour, 20 pounds of sugar and 10.5 pounds of 
            butter for 300 cookies delivered to the funeral in bushel baskets. 
            Mourners were offered sweet wine in which to dunk and soften 
            the hard-textured confections.8

Originally a card announcing the death was delivered to invite potential guests to the funeral, but as printing technology evolved, the death notice became a detailed wrapper for the cookie. On it would be printed bakery advertisements, Biblical quotes, and poems, as well as information about the deceased and the funeral. Guests would keep the wrapping paper as a keepsake much as we keep church holy cards with funeral announcements today.

There were other ways to commemorate the dead. The hair of the deceased was often cut off and fashioned into a wreath to be displayed in the home. Mourning pictures were often painted. A sailing ship meant the departure of the soul, and an oak tree represented strength. An oak that was cut down or lying on its side represented being cut down in one’s prime. Mourning portraits – paintings, drawings, or embroidered hangings – of the family, including the deceased in his or her coffin, were also popular. Sometimes favorite pets were included in these scenes. “A small watercolor done by Martha Washington’s 17-year-old granddaughter Nelly, in her grief over the death of her cousin Frances Bassett Washington Lear in 1796, depicts a young woman weeping at a funeral monument, with a small dog at her feet. Presumably Nelly and her little spaniel, that woman is shown wearing a black, high-waisted gown.”9 After cameras were invented, photos of the deceased either propped up in a sitting position or lying in the casket or coffin were often taken as keepsakes.

In the 1800s and into the Victorian era, proper mourning clothing became very important. Men wore black cloaks, white scarves, and gloves. Widows grieved for two years and wore all black dresses with no trim save crepe collars and cuffs. They wore bonnets with a long black crepe veil. In addition to hiding the fact that the woman had been crying, the veil was believed to protect the wearer and those she encountered from an attachment by the spirit of the departed. The accepted clothing was not as severe the second year; women were allowed a shorter veil and the dresses could be trimmed with gray, white, or purple.

Up until the middle 1800s, most clothing had been made at home. As mourning clothes were needed quickly, they became the first off-the-rack garments that could be bought. People in mourning could either buy ready-made black clothes, pay to have a professional dye them, or dye the clothes themselves. The black dye had such a strong unpleasant odor, that people dyed their clothes outdoors. The dyes were only semi-permanent and commonly rubbed off on the mourner’s skin.

Women were expected to mourn the loss of a husband for two years while men were only expected to mourn the loss of a wife for a few months. If a widower took a new wife within two years of his former wife’s death, the new wife was expected to formally mourn the previous wife as if she were mourning the loss of her own husband.

There were several superstitious Victorian funeral practices. When a corpse was in the house, all of the mirrors were kept covered to prevent the spirit of the deceased from getting trapped. If someone died in the house in a room with a clock, the clock had to be stopped at the time of death to prevent bad luck to the family. A corpse leaving the house had to be carried out feet first so that it could not look back and beckon others in the household to follow it into death. Family photos were sometimes turned face-down to prevent the people in the images from being possessed by the spirit of the dead.

While some of the colonial and Victorian funeral traditions might seem strange today, they did allow early Americans to deal with death in an open way. Customs and rituals acknowledged to the world the passing of a loved one without a lot of explanation, giving those affected the space, understanding, and time to grieve. Most of the traditions died out before World War I with the advent of mass marketing funeral home services, catering halls, and restaurants. Individuals are simply not as intimately involved, for better or for worse, with funeral preparations today.

* New England headstone inscription

-- More written by the author can be found at www.marianneruane.com

Sources:




1 Customs and Fashions in Old New England: Funeral and Burial Customs
2 Digital History: Death in Early America
3 Customs and Fashions in Old New England: Funeral and Burial Customs
4 Life in Mid-Eighteenth Century Pennsylvania
5 Digital History: Death in Early America
6 Morbid Outlook: Funerary Practices in Early and Modern America
7 Historic Camden County: The Story of Victorian Funeral Cookies
8 Historic Camden County: The Story of Victorian Funeral Cookies
9 Historic Alexandria Quarterly: Death and Mourning in the Family of George Washington





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